Sunday 19 April 2020
Tuesday 10 March 2020
Paper 2 PPE learner response
1) Type up your feedback in full (you do not need to write mark/grade if you do not wish to).
2) Did you succeed in meeting or exceeding your target grade for A Level Media in this paper? If not, how many additional marks do you need to achieve your target grade in Paper 2?
I am currently 9 marks away from where I should be which is definitely achievable if I sharpen up in key areas for the essay questions.
These are the grade boundaries we've used, based on last year's A Level exam but raised slightly to account for the fact they will probably move up slightly (out of 84):
A* = 75; A = 66; B = 54; C = 44; D = 32; E = 20.
Now read through the AQA mark scheme for Paper 2 - you'll already have looked at this in class when marking the exam booklet of other students' responses. The original Paper 2 question paper is here if that is helpful too.
3) Write a question-by-question analysis of your performance. For each question, write how many marks you got from the number available and identify any points that you missed by carefully studying the AQA indicative content in the mark scheme:
Q1) 5/9-the visual codes and composition of the image including framing. The construction of myth through the use of signs – the lone, charismatic
American hero, violent but thoughtful and reflective. These are simple points I can make for easy marks, going into detail about the use of different aspects on the image such as the character himself.
Q2) 15/25-the key aspects of the relevant theories, including uses and gratifications,
hypodermic needle model, moral panic, cultivation, Bandura’s social
learning theory. Additionally, the coverage of effects theory in the media can lead to moral panics, affecting much wider areas of society than the individual user
Q3) 15/25-the contexts of production are relatively insignificant in creating meanings
(reception theory); meanings derive from the interaction between the
audience and the product. All media production is conditioned by the dominant ideology, the value system and perceptions of reality
Q4) 10/25- ensuring that the content is relevant and interesting for a range of
audiences across national borders (for example by addressing global
themes and issues as well as culturally specific topics). using a variety of platforms that includes: free-to-air television, the internet (including subscription services such as Netflix), web apps, subscription services such as Sky
4) Look at question 4 - the synoptic question on TV. Write a full, new essay plan for this question using the indicative content in the mark scheme (focus particularly on distribution) and taking care to include at least one paragraph that addresses the synoptic element. You can use bullet points but make sure you offer enough content to meet the criteria for Level 4 (top level). This will be somewhere between 4-6 well-developed paragraphs planned in some detail.
Introduction: State my main argument between the CSP's I'll be using throughout my essay
Paragraph 1: Make points on Capital and the ways in which it was originally broadcasted, promoted etc. 'State of the nation' event series. Mention how themes and settings are constructed to appeal to an international audience, London iconography. Ensure to go into detail about what theorists make links to Capital and how Capital reinforces their ideologies throughout the show.
Paragraph 2: Make links between Capital and digital or physical media such as magazines and general news in order to show my understanding and go into the question with detail. Distribution deals such as Freemantle and Pivot TV which I need to remember to utilise.
Paragraph 3: Start to bring in Deutschland 83 and make a link to it too being distributed by the British distribution company, Freemantle. Themes and setting are constructed to appeal to an international audience through the familiar narrative tropes of an ‘innocent abroad' and the “Romeo and Juliet” romance. The series is visually stylish using a familiar postmodern style which exploits the current popularity
of retro styles in fashion and music
Paragraph 4: Make sure to talk about Walter presents (easy marks), which is a subsidiary of C4, exploiting broadcast.and digital opportunities co-production of AMC Networks, SundanceTV (US) and RTL Television (German and American), positioning it to exploit the national and global market AMC and RTL were able to develop the series in the context of new opportunities for distribution and exhibition
Conclusion: Conclude my argument and make my final points about both Capital and Deutschland 83.
5) Based on the whole of your Paper 2 learner response, plan FIVE topics / concepts / CSPs / theories that you will prioritise in your Easter Media revision timetable.
WWW-Reached target grade and showed good understanding of media terminology and CSP's
I am currently 9 marks away from where I should be which is definitely achievable if I sharpen up in key areas for the essay questions.
These are the grade boundaries we've used, based on last year's A Level exam but raised slightly to account for the fact they will probably move up slightly (out of 84):
A* = 75; A = 66; B = 54; C = 44; D = 32; E = 20.
Now read through the AQA mark scheme for Paper 2 - you'll already have looked at this in class when marking the exam booklet of other students' responses. The original Paper 2 question paper is here if that is helpful too.
3) Write a question-by-question analysis of your performance. For each question, write how many marks you got from the number available and identify any points that you missed by carefully studying the AQA indicative content in the mark scheme:
Q1) 5/9-the visual codes and composition of the image including framing. The construction of myth through the use of signs – the lone, charismatic
American hero, violent but thoughtful and reflective. These are simple points I can make for easy marks, going into detail about the use of different aspects on the image such as the character himself.
Q2) 15/25-the key aspects of the relevant theories, including uses and gratifications,
hypodermic needle model, moral panic, cultivation, Bandura’s social
learning theory. Additionally, the coverage of effects theory in the media can lead to moral panics, affecting much wider areas of society than the individual user
Q3) 15/25-the contexts of production are relatively insignificant in creating meanings
(reception theory); meanings derive from the interaction between the
audience and the product. All media production is conditioned by the dominant ideology, the value system and perceptions of reality
Q4) 10/25- ensuring that the content is relevant and interesting for a range of
audiences across national borders (for example by addressing global
themes and issues as well as culturally specific topics). using a variety of platforms that includes: free-to-air television, the internet (including subscription services such as Netflix), web apps, subscription services such as Sky
4) Look at question 4 - the synoptic question on TV. Write a full, new essay plan for this question using the indicative content in the mark scheme (focus particularly on distribution) and taking care to include at least one paragraph that addresses the synoptic element. You can use bullet points but make sure you offer enough content to meet the criteria for Level 4 (top level). This will be somewhere between 4-6 well-developed paragraphs planned in some detail.
Introduction: State my main argument between the CSP's I'll be using throughout my essay
Paragraph 1: Make points on Capital and the ways in which it was originally broadcasted, promoted etc. 'State of the nation' event series. Mention how themes and settings are constructed to appeal to an international audience, London iconography. Ensure to go into detail about what theorists make links to Capital and how Capital reinforces their ideologies throughout the show.
Paragraph 2: Make links between Capital and digital or physical media such as magazines and general news in order to show my understanding and go into the question with detail. Distribution deals such as Freemantle and Pivot TV which I need to remember to utilise.
Paragraph 3: Start to bring in Deutschland 83 and make a link to it too being distributed by the British distribution company, Freemantle. Themes and setting are constructed to appeal to an international audience through the familiar narrative tropes of an ‘innocent abroad' and the “Romeo and Juliet” romance. The series is visually stylish using a familiar postmodern style which exploits the current popularity
of retro styles in fashion and music
Paragraph 4: Make sure to talk about Walter presents (easy marks), which is a subsidiary of C4, exploiting broadcast.and digital opportunities co-production of AMC Networks, SundanceTV (US) and RTL Television (German and American), positioning it to exploit the national and global market AMC and RTL were able to develop the series in the context of new opportunities for distribution and exhibition
Conclusion: Conclude my argument and make my final points about both Capital and Deutschland 83.
5) Based on the whole of your Paper 2 learner response, plan FIVE topics / concepts / CSPs / theories that you will prioritise in your Easter Media revision timetable.
- Revise Denotation, Connotation and Myth more
- Capital and Deutschland 83 and everything behind them, production, distribution, promotion.
- Go over the magazines more and find ways to link theory (Oh Comely and Men's Health)
- Tomb Raider and Metroid as I didn't go as in depth or into detail as I should have
- Range of theory
Thursday 27 February 2020
Statement of Intent
For my project I will be making a 90 second to
2 minute trailer and 4 pages of a culture media magazine for my show
‘Incognito’ relating to life in London for young people. I intend to have my
trailer released on YouTube as it is such a massive
platform where people of many different ages especially younger people who I
want to appeal with, making it much more easier to get my show out there and
talked about before it is released as a word of mouth is always essential when
trying to promote a show. I’m planning to release the trailer on Sky 1 due to it being one of
the biggest television companies throughout the whole of the UK. For the
trailer itself my plan is to use key conventions of any other TV crime drama trailer, therefore I'd
be needing text on screen as it is also a way to explain what is occurring and
information such as the release date title and so on. Throughout the
trailer low-key
lighting is something I’m going to utilise to as it is a crime drama and one of the
main aspects of that is secrecy and a sense of mystery also giving that tense
feel. Suspenseful music, dialogue and action &
enigma codes (Roland Barthes) are also key conventions. A method that I'll
utilise in order to make sure the audience will watch my TV show is by not revealing
numerous plot points so that they will finally get the satisfaction of
having their questions and thoughts answered upon watching the show. The
trailer will focus on various scenes from across the series so that the
audience can get a general grasp as to what it is about and all the different
characters.
My narrative focuses on my main character called ‘Isaiah’ who is trying to figure out the culprit(s) as to who killed his best friend. He is forced to go through many trials and tribulations in order to figure out this information in a city full of hatred and crime. The narrative could be said to be quite similar to that of Luther and True Detective as they are both crime dramas, however one major difference is mine has a more rural feel to it with the protagonist not being a big crime detective as you generally see in crime dramas. In terms of digital convergence I will be utilising hashtags such as #Incognito on twitter in order to create more hype around my drama as well as it being a way to interact with the fans online. Additionally I hope to be able to promote the show more through an official website and twitter that was I will be able to directly interact with my audience as they can ask questions which I will be able to reply to. On the website I’ll have things like character profiles, interviews etc so the audience can connect with the show more efficiently.
Similarly, I will also be making a cultural
magazine that will also be digitally distributed in order to connect with
modern day audiences. In the magazine I will offer a wide range of things going
from interviews, plot summaries and more. In the double page spread I will have
an exclusive interview with myself, I will be telling the audience what my
character will be doing in the show and offer a deeper insight into not only
his personality but mine in real life so the audience can grasp a better
understanding of who I am and what I am aiming to create.
The target audience I'm aiming for is 17-30. The way I'll draw in this
age range is by having a fairly young cast as the audience will be able to
identify with the cast and relate with them so that they will be able to
enjoy the show even more as they'll feel more comfortable. Additionally I
believe audiences will feel a strong sense of identity when realise how similar some
of these characters lives in London are to their own. I also think there will
most definitely be a sense of personal relationship (blumer and katz) as the viewer will form a
connection to characters they enjoy watching or maybe even dislike. The show
will air each Sunday
at 7pm as
it is prime time television which’ll increase the viewership numbers. I think some of my
characters reinforce and others challenge stereotypes (Andy Medhurst), for instance the male character
being a male and also working as a detective is something that is regularly
seen in TV and film as they are seen as more dominant etc. However it is
different in a way because he’ll be young and black which are normally shown
more negatively.
Thursday 9 January 2020
Tuesday 26 November 2019
Print brief research and planning
Research and planning blog tasks
Create a blogpost called 'Print brief research and planning' and complete the following tasks to plan and prepare your print work:
1) Research magazine cover key conventions. Look over the magazine cover key conventions notes sheet and write which of these you will use for your magazine cover.
2) Find at least five culture magazine front covers (either current or former magazines) aimed at a similar target audience to your project (adults interested in popular culture). For each one, pick out one design idea that you could use in your own print work. Some examples you may wish to look at include the Guardian Guide, Sunday Times Culture magazine, Time Out, The Face, the Radio Times, Aesthetica, the move and Paper:
I picked this cover from the 'Culture magazine' because it has a colour scheme which I really like as it suits the feel of my crime drama. The colour scheme also looks to be aimed towards a more mature audience as it isn't bright or flashy just something that people of an older and more sophisticated demographic will prefer. In addition the colour scheme is very aesthetically pleasing which is a key feature when making a magazine.
This cover is from the 'Time Out' magazine and the reason I picked it is because of how focused it is on the central image having barely any cover lines, going for the more minimalist look which I could implement in my own magazine but for me, I would definitely use more magazine conventions like cover lines, barcode and so on. This design is very effective as it allows the audiences main focus to straight away go to the central image. I'm not that much of a fan of the colour scheme though.
This magazine cover from Aesthetica is very aesthetically pleasing to look at as it is extremely unique and takes away from the generic magazine look. It also uses a long shot which you don't usually see in a magazine as the shot usually ranges from a close up to a medium. The use of a barcode in the bottom left adds a sense of professionalism to the magazine, additionally, a date of publication is used at the top made very small so that it doesn't 'compromise the integrity of their compositional work'.
This cover is from 'Paper magazine' and one thing I'd pick out is the minimalist look to the whole thing as all it's only a central image and title which somehow makes the audience want to know more as they are kind of drawing you in/teasing you to actually read the magazine. The camera shot is good as it is only from the shoulders, something I might implement in my own.
This magazine is the 'Guardian Guide' and features J-Money on the cover. The way the title is assorted on the cover really gains the audience's attention as it very unique in comparison to the way other magazines are designed. They also don't mind having it behind the central image by a bit as they know people are able to recognise their magazine very easily, due to the fact it's so popular.
3) Find at least three contents pages from culture, lifestyle or music magazines on Google images. How are contents pages designed? How do they use a combination of text and images to create an effective design?
These content pages blend together both pictures and textual information to give off an effective design to the audience that will supply them with knowledge of what they are being shown. We see how in the first content page there are multiple pictures used which is something I want to implement into my own contents page considering the fact that I need to have at least 7 pictures throughout my culture magazine. The text in these content pages pretty much sums up what the different pages are going to be about which allows you to recognise whether you'll be able to enjoy it or if you're interested in what it has to offer. They also make sure that they re aesthetically pleasing to the eye as it draws in the readers even more.
4) Find at least three double-page spread features from culture, lifestyle or music magazines on Google images. How are they designed? How are text and images displayed? What design tricks can you borrow from your examples?
Planning, sketching and writing
1) Plan a title and slogan for your new, original culture magazine. Sketch out possible designs for the masthead - font, style, colour etc.
'The Phenom' is the title. The colour scheme I'm going for will be white and black as it adds a sense of professionalism and fits the detective theme as it adds enigma to the magazine.
2) Plan the content for your magazine front cover. Your double-page spread will be the main story but what other cover lines, images and more will you include on the cover?
For my front cover I intend to use 4 cover lines that will range from things in the magazine itself to aspects of the TV drama. I am only going to use one image on the cover which'll of course be the central image, which I want everyone to focus on straight away.
3) Write a list of the all the features, regular sections and more that will appear on your contents page. If you've chosen to produce a different internal page, plan that here instead.
4) Create a spider diagram or bullet point list of all the issues or topics your TV drama addresses. How can you use this information to create a main feature for your culture magazine about your TV drama that will appeal to your target audience?
5) Write the text for your double-page spread feature. This needs to be a minimum of 400 words and be completely original and feature an aspect of your TV drama. Make sure you include a headline, subheading and any pullout quotes or sidebar contents.
Today we bring to you an exclusive interview with cast member Kyle McLeod who plays the protagonist Isaiah in the TV drama Incognito which'll be airing on popular channel Sky 1. He is an upcoming young actor rising up the ranks hoping to make his name across the the country.
So to start off I wanted to ask you what was your main motivation for getting into the acting industry?
"For me the the main thing that inspired me was watching a lot of movies as a child with actors like Leonardo DiCaprio etc who starred in many movies producing top performances. Straight away I knew 'yeah this is the lifestyle for me' and so from then I worked as hard as possible to get into the position I am, I'm eternally grateful to the director for choosing me out of the many other options and I hope I can repay him with an oscar winning performance hahaha"
What was your family's reaction to you getting the role?
"They were absolutely thrilled, the first thing my mother did was come and give me a big hug and a day after she invited the whole family over and we threw a huge party to celebrate my success, I felt over the moon to have everyone there for me. I think it was definitely one of my proudest moments.
What was your favourite scene to film?
"Well unfortunately I can't directly answer that question because of spoilers and I know the director won't like that but one thing I must say is that there are a lot of enjoyable moments and scenes that I am certain the whole audience will be awestruck by. Everyone involved put in 100% effort so that the audience has something to fully enjoy."
How was the chemistry between the cast members?
"Because we are such a young cast and all around the same age range we linked up really well. The chemistry between all of us was really powerful and by the end of filming we all really felt like a family because of all the memories and moments we shared. I've known Aran and Andi since High School so to be able to wok on such a project with life long friends is an experience that I couldn't be happier to be involved in, it's not everyday you get to act in a television drama with your boys you know what I mean."
6) Produce an A4 sketch of your front cover including the key conventions and design tricks you have studied in existing magazines and then planned in planning task 1 above.
7) Produce an A4 sketch of your contents page. This can be a single page of A4 or alternatively a double-page spread (A3).
8) Produce an A4 landscape sketch of your double page spread design now you have chosen the subject matter.
Photoshoot
1) Which of your main characters will appear on the front cove r of your magazine?
-Kyle
-Aran
-Hanad
-Andi
-George
-Hassan
2) What image or images do you need for the contents page?
I'm going to be using images of most of my cast members so that the audience can get to know and understand their roles and who they are exactly.
3) What image or images will you use for the double-page spread? Remember, you need seven different original images across the print brief.
I am going to use one big central image on the left of my double page spread and hope to use a couple on the right side that has the text on it but smaller images.
4) Write a shot list for the photoshoot. Make sure you plan a variety of camera shots you will look to capture - medium shots, close-ups etc.
5) What costume, props or make-up will you require for the photoshoot?
For costume I am just going to have my characters wearing jackets, jeans, tracksuit top and a turtle neck.
Create a blogpost called 'Print brief research and planning' and complete the following tasks to plan and prepare your print work:
1) Research magazine cover key conventions. Look over the magazine cover key conventions notes sheet and write which of these you will use for your magazine cover.
- Title of publication
- Slogan
- Central image
- Bar code, Date and Price
- ‘Flash’ / Cover Line / Sell Line
This cover is from the 'Time Out' magazine and the reason I picked it is because of how focused it is on the central image having barely any cover lines, going for the more minimalist look which I could implement in my own magazine but for me, I would definitely use more magazine conventions like cover lines, barcode and so on. This design is very effective as it allows the audiences main focus to straight away go to the central image. I'm not that much of a fan of the colour scheme though.
This magazine cover from Aesthetica is very aesthetically pleasing to look at as it is extremely unique and takes away from the generic magazine look. It also uses a long shot which you don't usually see in a magazine as the shot usually ranges from a close up to a medium. The use of a barcode in the bottom left adds a sense of professionalism to the magazine, additionally, a date of publication is used at the top made very small so that it doesn't 'compromise the integrity of their compositional work'.
This cover is from 'Paper magazine' and one thing I'd pick out is the minimalist look to the whole thing as all it's only a central image and title which somehow makes the audience want to know more as they are kind of drawing you in/teasing you to actually read the magazine. The camera shot is good as it is only from the shoulders, something I might implement in my own.
This magazine is the 'Guardian Guide' and features J-Money on the cover. The way the title is assorted on the cover really gains the audience's attention as it very unique in comparison to the way other magazines are designed. They also don't mind having it behind the central image by a bit as they know people are able to recognise their magazine very easily, due to the fact it's so popular.
3) Find at least three contents pages from culture, lifestyle or music magazines on Google images. How are contents pages designed? How do they use a combination of text and images to create an effective design?
These content pages blend together both pictures and textual information to give off an effective design to the audience that will supply them with knowledge of what they are being shown. We see how in the first content page there are multiple pictures used which is something I want to implement into my own contents page considering the fact that I need to have at least 7 pictures throughout my culture magazine. The text in these content pages pretty much sums up what the different pages are going to be about which allows you to recognise whether you'll be able to enjoy it or if you're interested in what it has to offer. They also make sure that they re aesthetically pleasing to the eye as it draws in the readers even more.
4) Find at least three double-page spread features from culture, lifestyle or music magazines on Google images. How are they designed? How are text and images displayed? What design tricks can you borrow from your examples?
I believe that these double page spread features are very effective as they easily communicate the message they are trying to convey to the audience. I like the idea of having one big image that also crosses onto both pages as it adds professionalism to the magazine, therefore it may be something I end up implementing in my own double page spread. The minimalist look is also very aesthetically pleasing but it doesn't fit what I'm trying to go for, as I want to include a lot more text, for example maybe a slight synopsis or a little interview with one or two of the cast members.
Time Out - The 10 Best TV shows of the week (1,500 words)
Benedict Cumberbatch hints at female future (250 words)
Planning, sketching and writing
1) Plan a title and slogan for your new, original culture magazine. Sketch out possible designs for the masthead - font, style, colour etc.
'The Phenom' is the title. The colour scheme I'm going for will be white and black as it adds a sense of professionalism and fits the detective theme as it adds enigma to the magazine.
2) Plan the content for your magazine front cover. Your double-page spread will be the main story but what other cover lines, images and more will you include on the cover?
For my front cover I intend to use 4 cover lines that will range from things in the magazine itself to aspects of the TV drama. I am only going to use one image on the cover which'll of course be the central image, which I want everyone to focus on straight away.
3) Write a list of the all the features, regular sections and more that will appear on your contents page. If you've chosen to produce a different internal page, plan that here instead.
- Interviews
- Reviews
- Editors letter
- Culture
- Events
- Competition
- Quiz
- Q&A
- Challenging stereotypes
- Violence in London
- Youth Culture
- Race
Today we bring to you an exclusive interview with cast member Kyle McLeod who plays the protagonist Isaiah in the TV drama Incognito which'll be airing on popular channel Sky 1. He is an upcoming young actor rising up the ranks hoping to make his name across the the country.
So to start off I wanted to ask you what was your main motivation for getting into the acting industry?
"For me the the main thing that inspired me was watching a lot of movies as a child with actors like Leonardo DiCaprio etc who starred in many movies producing top performances. Straight away I knew 'yeah this is the lifestyle for me' and so from then I worked as hard as possible to get into the position I am, I'm eternally grateful to the director for choosing me out of the many other options and I hope I can repay him with an oscar winning performance hahaha"
What was your family's reaction to you getting the role?
"They were absolutely thrilled, the first thing my mother did was come and give me a big hug and a day after she invited the whole family over and we threw a huge party to celebrate my success, I felt over the moon to have everyone there for me. I think it was definitely one of my proudest moments.
What was your favourite scene to film?
"Well unfortunately I can't directly answer that question because of spoilers and I know the director won't like that but one thing I must say is that there are a lot of enjoyable moments and scenes that I am certain the whole audience will be awestruck by. Everyone involved put in 100% effort so that the audience has something to fully enjoy."
How was the chemistry between the cast members?
"Because we are such a young cast and all around the same age range we linked up really well. The chemistry between all of us was really powerful and by the end of filming we all really felt like a family because of all the memories and moments we shared. I've known Aran and Andi since High School so to be able to wok on such a project with life long friends is an experience that I couldn't be happier to be involved in, it's not everyday you get to act in a television drama with your boys you know what I mean."
6) Produce an A4 sketch of your front cover including the key conventions and design tricks you have studied in existing magazines and then planned in planning task 1 above.
7) Produce an A4 sketch of your contents page. This can be a single page of A4 or alternatively a double-page spread (A3).
8) Produce an A4 landscape sketch of your double page spread design now you have chosen the subject matter.
Photoshoot
1) Which of your main characters will appear on the front cove r of your magazine?
-Kyle
-Aran
-Hanad
-Andi
-George
-Hassan
2) What image or images do you need for the contents page?
I'm going to be using images of most of my cast members so that the audience can get to know and understand their roles and who they are exactly.
3) What image or images will you use for the double-page spread? Remember, you need seven different original images across the print brief.
I am going to use one big central image on the left of my double page spread and hope to use a couple on the right side that has the text on it but smaller images.
4) Write a shot list for the photoshoot. Make sure you plan a variety of camera shots you will look to capture - medium shots, close-ups etc.
Shot No.
|
Shot
|
Taken?
|
1
|
Close up of Kyle face
|
No
|
2
|
Close up on Aran
|
No
|
3
|
Long shot of Kyle
|
No
|
4
|
Medium shot of Andi
|
No
|
5
|
Close up of Andi
|
No
|
6
|
Long shot of Kyle, Andi and Aran
|
No
|
7
|
Medium shot of Kyle
|
No
|
5) What costume, props or make-up will you require for the photoshoot?
For costume I am just going to have my characters wearing jackets, jeans, tracksuit top and a turtle neck.
Tuesday 29 October 2019
Coursework: Pre-production - Shot list
|
Shot No.
|
Shot
|
Filmed?
|
|||
|
1
|
Establishing shot of a
Coffee shop
|
TBC
|
|||
|
2
|
Close up on Kyle looking dazed
|
TBC
|
|||
|
3
|
POV shot of him looking over to
Hassan
|
TBC
|
|||
|
4
|
Over the shoulder of H talking
to K
|
TBC
|
|||
|
5
|
Over the shoulder of K replying
to H
|
TBC
|
|||
|
6
|
Medium shot of the table as they both
talk to each other
|
TBC
|
|||
|
7
|
Wide shot of them as they begin
to pack up their stuff
|
TBC
|
|||
|
8
|
POV shot of Kyle getting
up
|
TBC
|
|||
|
9
|
Tracking shot K walking out
|
TBC
|
|||
|
10
|
Medium shot H watching him
|
TBC
|
|||
|
11
|
Tracking shot H getting up
|
TBC
|
|||
|
12
|
Match on action K opening door
|
TBC
|
|||
|
13
|
Medium shot both walking in
|
TBC
|
|||
|
14
|
Panning shot of the room
|
TBC
|
|||
|
15
|
Over the shoulder shot of K
talking to H
|
TBC
|
|||
|
16
|
Over the shoulder shot H talking
to K
|
TBC
|
|||
|
17
|
POV shot K looking at files
|
TBC
|
|||
|
18
|
Extreme close up
|
TBC
|
|||
|
19
|
Overhead shot
|
TBC
|
|||
|
20
|
Close up
on phone ringing
|
TBC
|
|||
|
21
|
Wide shot of the two looking at each
other
|
TBC
|
|||
|
22
|
Close up on the other caller
|
TBC
|
|||
|
23
|
Medium close up camera begins to
go out
|
TBC
|
|||
|
24
|
Panning shot of the room of the
people in the room
|
TBC
|
|||
|
25
|
Shot alternates between the two on
the phone
|
TBC
|
|||
|
26
|
Camera follows hand
as phone is put to down
|
TBC
|
|||
|
27
|
Over the shoulder between Hassan and
Kyle
|
TBC
|
|||
|
28
|
Camera follows Kyle as he gets up to
leave
|
TBC
|
|||
|
29
|
Match
on action of door opening
|
TBC
|
|||
|
30
|
Tracking
of them running out
|
TBC
|
|||
|
31
|
Medium
shot of them hopping into car
|
TBC
|
|||
|
32
|
Screen
fades to black
|
TBC
|
|||
|
33
|
Medium
shot of H and K walking towards location
|
TBC
|
|||
|
34
|
Medium
close up K and H turning to look at each other
|
TBC
|
|||
|
35
|
POV
of K opening door
|
TBC
|
|||
|
36
|
Long
shot of them steadily walking in
|
TBC
|
|||
|
37
|
Low
angle shot of them walking in the darkness
|
TBC
|
|||
|
38
|
Quick
panning of figure running
|
TBC
|
|||
|
39
|
Tracking
of the figure running out the door
|
TBC
|
|||
|
40
|
K
and H chase him down in a alternating shot
|
TBC
|
|||
|
41
|
Camera
switches to a medium shot of man ready to take down K and H
|
TBC
|
|||
|
42
|
Close
up of K's face looking alarmed
|
TBC
|
|||
|
43
|
Overhead
of H still chasing down figure (chase scene continues)
|
TBC
|
|||
|
44
|
Long
shot of K and A in a physical altercation
|
TBC
|
|||
|
45
|
After
a while camera focus switches back to H running out of breath abandoning the
chase (medium shot)
|
TBC
|
|||
|
46
|
POV
of H looking down at phone ringing K
|
TBC
|
|||
|
47
|
Close
up as he panicks when the phone answers but it's a voice he doesn't recognise
|
TBC
|
|||
|
48
|
Camera
focus of man having knocked out K (camera panning down)
|
TBC
|
|||
|
49
|
Extreme
close up on K's face
|
TBC
|
|||
|
50
|
Fade to
black and Scene ends
|
TBC
|
|||
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