Wednesday 19 December 2018

750 word analysis




Word Analysis for Alfred Hitchcocks Psycho

Alfred Hitchcock’s film ‘Psycho’ features many mystery and thriller aspects especially in the shower scene shown in this clip. The female character Marion is shown first thing in this scene with no music and bright lights shining which gives off the impression that this isn’t an eerie scene but there may be a sudden switch as something may happen. The camera then moves to a medium close-up of Marion as she begins to take her shower which shows her facial expressions, looking very relaxed and satisfied, but the scene continues to feature no music only the sound of the water which intensifies the scene. She can be seen visibly enjoying the shower but great suspense is immediately added when the camera angle allows us to see the bathroom door open revealing a dark figure that slowly moves towards the shower. The lighting covers the figures face which is purposely done to create more suspense and mystery which adds to the terror (action and enigma) in this scene, the shower curtain also works as a cover up for the figure as it also blurs out its whole figure so we cannot even see if it’s a male or female. The figure then rapidly pulls open the shower curtain and with this dramatic music then starts to play intensifying the scene instantaneously. This shocks the audience and adds a horror element. We then see a close up Marion face as she screams with a petrified look on her face which is a huge contrast to the start where she is very relaxed. There is then an extreme close up on her mouth as which is wide open as she is crying out for help.  The music replicates the movement of the knife which makes the audience feel even tenser as they have to sit through and watch as the man continuously attacks the defenceless woman. We are then shown a close up of the shower floor as we see Marion’s legs twitching and blood fall into the water as she is menacingly stabbed with the knife without any remorse. We then see the figure leave the bathroom and with this the music begins to tone down and we can hear Marion’s heavy breaths, moving on we are then shown a close up of the Marion’s lifeless hands as they slide down the bathroom wall, we are then shown a medium close up of Marion’s lifeless body sliding down slowly giving the audience time to grasp what had just occurred as it was very fast paced. We are then shown Marion trying to cling onto the shower curtain which represents her maybe trying to cling onto her last bit of life but this does not help her as the curtain breaks and she falls onto the floor with her lifeless body and blood still flowing through the water and down the drain as Marion lays there dead which gives off an extremely unnerving feeling. The fact that the scene ends and we are still left with no explanation as to who the mysterious killer is as well as the continuous stabbing adds to the element of action and enigma codes.  Going back to the beginning of the clip the bathroom walls are plain white which connotes to innocence and purity. The fact that she is naked in this scene adds to the fact that she has made herself extremely defenceless and can be harmed without any problems. The showerhead is the only thing we can hear at the start and by having the camera as close as it is it brings intimacy into the scene as it gives us the feeling that we are there with her but that also makes us as vulnerable as her which adds to making us feel terrified as we are watching the scene. The malicious music is called ‘The Murder’ which relates excellently to the scene. With each note played of the music we can see the image of the knife plunging into Marions’ flesh as we don’t actually see the knife actually go into Marion as the shot always cuts but we construct the scene in our head well allowing us to see what is not shown by Hitchcock.  When the killer faces Marion the music becomes very frantic which captures the true pain of Marion as she is stabbed. The edits in this scene are very important as when she is being attacked there are short cuts showing details of her reaction which makes the scene more horrifying and sickening to watch.



Tuesday 11 December 2018

Continuity task




Shot No
Shot
Filmed
1
Over the shoulder shot tracking shot of Kyle going to the door.
Filmed
2
Medium shot  of Kyle coming through the door on the other side
Filmed
3
Close up of Georges face as he looks up hearing the door close
Filmed
4
Panning shot of the Kyle walking to the table to sit opposite George
Filmed
5
Over the shoulder shot looking at George
Filmed
6
Over the shoulder shot looking at Kyle
Filmed
7
Over the shoulder shot looking at George
Filmed
8
Over the shoulder shot looking at Kyle
Filmed
9
Over the shoulder shot looking at George
Filmed
10
Over the shoulder shot looking at Kyle
Filmed
11
Close up on George
Filmed
12
Close up on Phone. George texting Aran
Filmed
13
Medium tracking shot of Aran walking down hallway
Filmed
14
Medium shot of Kyle and George receiving message from Aran
Filmed
15
Over the shoulder whilst George is walking out switches to medium when he is waiting outside
Filmed
16
Tracking medium shot of George walking up to Aran
Filmed
17
Over the shoulder perspective of Aran walking up to George that switches to a close up of both their faces staring at each other.
Filmed
Scene opens
George: What was so important that you had to meet me here

Kyle: Im sorry I didn't want this to happen but they got her

George: WHO WHO DID THEY GET!

Kyle: I cannot look you in the eye while saying this but they got your mum and said if you don't return the money then-

George: I SAID WHO!

Kyle: Calm down I know who it is and I know where he is right now...its Ferdi

George: It's him! I'm gonna message him right now


Wednesday 5 December 2018

Cinematography final blog tasks


  • Watch the following extract from Lawrence of Arabia (1962), directed by David Lean
1.Discuss how the use of long shots creates tension and suspense in the sequence.
The long shots create tension throughout the scene as we can clearly see there is a figure approaching from far away by themselves making them look menacing. Also, with the long shot we are not offered much information as to what may happen as it only shows the figure, the rest is just sand stretching far.

2.Who are the audience encouraged to identify with
The audience are encouraged to identify with Lawrence as many of the camera shots focus on him, telling the audience that he is the main character in the film. He is also fits the Hollywood character type as he is a white male who seems to be American

  • Watch the following extract from Three Colours: Blue (1993), directed by Krzystof Kielowksi 
1.How does the use of close-up shots enhance our understanding of the narrative?
The use of close-up shots make the characters emotions much more clear as we see with the little girl in the car which is connected to the close ups of the car zooming through the tunnel showing us that the family are clearly going somewhere. 

2.Discuss the emotional impact of the sequence. How do the close-ups contribute to this?
The close-ups show great emotion especially when focusing on the girls facial expressions as she looks quite worried and may not understand what is going on or where they are headed to. 

  • Watch the following extract from Citizen Kane (1940), directed by Orson Welles
1. Discuss the various shots and camera movements and their effects.
The various use of medium shots and close ups give little detail as to what the plot is but help establish a general understanding of the setting and a little bit of the plot. The camera movement is very slow and steady to establish a calm tone for the scene

2.How does the cinematography work with other aspects of film language you have studied to create meaning setting 
The lighting used in this creates a sense of darkness and eeriness 

  • Watch the following extract from Moulin Roughe (2001), directed by Baz Luhrmann
1. Comment on how various shots and camera movements help to introduce the story.
The different camera shots and movements help introduce the characters, plot and setting for the audience. The first character we see is the man at the start who is on a typewriter and looking depressed as if he has just gone through something  really tough

2. How does the cinematography work with other aspects of film language 
There is a wide range of camera movements and the lighting varies from scene to scene which many other films use.







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