Shot No.
|
Shot
|
Filmed?
|
|||
1
|
Establishing shot of a
Coffee shop
|
TBC
|
|||
2
|
Close up on Kyle looking dazed
|
TBC
|
|||
3
|
POV shot of him looking over to
Hassan
|
TBC
|
|||
4
|
Over the shoulder of H talking
to K
|
TBC
|
|||
5
|
Over the shoulder of K replying
to H
|
TBC
|
|||
6
|
Medium shot of the table as they both
talk to each other
|
TBC
|
|||
7
|
Wide shot of them as they begin
to pack up their stuff
|
TBC
|
|||
8
|
POV shot of Kyle getting
up
|
TBC
|
|||
9
|
Tracking shot K walking out
|
TBC
|
|||
10
|
Medium shot H watching him
|
TBC
|
|||
11
|
Tracking shot H getting up
|
TBC
|
|||
12
|
Match on action K opening door
|
TBC
|
|||
13
|
Medium shot both walking in
|
TBC
|
|||
14
|
Panning shot of the room
|
TBC
|
|||
15
|
Over the shoulder shot of K
talking to H
|
TBC
|
|||
16
|
Over the shoulder shot H talking
to K
|
TBC
|
|||
17
|
POV shot K looking at files
|
TBC
|
|||
18
|
Extreme close up
|
TBC
|
|||
19
|
Overhead shot
|
TBC
|
|||
20
|
Close up
on phone ringing
|
TBC
|
|||
21
|
Wide shot of the two looking at each
other
|
TBC
|
|||
22
|
Close up on the other caller
|
TBC
|
|||
23
|
Medium close up camera begins to
go out
|
TBC
|
|||
24
|
Panning shot of the room of the
people in the room
|
TBC
|
|||
25
|
Shot alternates between the two on
the phone
|
TBC
|
|||
26
|
Camera follows hand
as phone is put to down
|
TBC
|
|||
27
|
Over the shoulder between Hassan and
Kyle
|
TBC
|
|||
28
|
Camera follows Kyle as he gets up to
leave
|
TBC
|
|||
29
|
Match
on action of door opening
|
TBC
|
|||
30
|
Tracking
of them running out
|
TBC
|
|||
31
|
Medium
shot of them hopping into car
|
TBC
|
|||
32
|
Screen
fades to black
|
TBC
|
|||
33
|
Medium
shot of H and K walking towards location
|
TBC
|
|||
34
|
Medium
close up K and H turning to look at each other
|
TBC
|
|||
35
|
POV
of K opening door
|
TBC
|
|||
36
|
Long
shot of them steadily walking in
|
TBC
|
|||
37
|
Low
angle shot of them walking in the darkness
|
TBC
|
|||
38
|
Quick
panning of figure running
|
TBC
|
|||
39
|
Tracking
of the figure running out the door
|
TBC
|
|||
40
|
K
and H chase him down in a alternating shot
|
TBC
|
|||
41
|
Camera
switches to a medium shot of man ready to take down K and H
|
TBC
|
|||
42
|
Close
up of K's face looking alarmed
|
TBC
|
|||
43
|
Overhead
of H still chasing down figure (chase scene continues)
|
TBC
|
|||
44
|
Long
shot of K and A in a physical altercation
|
TBC
|
|||
45
|
After
a while camera focus switches back to H running out of breath abandoning the
chase (medium shot)
|
TBC
|
|||
46
|
POV
of H looking down at phone ringing K
|
TBC
|
|||
47
|
Close
up as he panicks when the phone answers but it's a voice he doesn't recognise
|
TBC
|
|||
48
|
Camera
focus of man having knocked out K (camera panning down)
|
TBC
|
|||
49
|
Extreme
close up on K's face
|
TBC
|
|||
50
|
Fade to
black and Scene ends
|
TBC
|
|||
Tuesday, 29 October 2019
Coursework: Pre-production - Shot list
Coursework: Pre-production - Script
SCENE ONE OPENS
Montage of sped up scenes from a night in which a killing occurred (a flashback)
Hassan: Hey...hey! You alright boss...you kind of dozed off
Kyle: What happened that night clearly wasn't a coincidence, and I can’t shake off this feeling that it’s my fault, he should’ve never died
Scene in a coffee shop
Hassan: So... I don’t want to rush things but what exactly are we going to do about this whole fiasco, the police want you taking no part and we don’t even have any clue of who done and been doing this stuff.
Kyle: I’ve made a lot of enemies through the years and London isn’t the safest place now is it? Someone's name is due to pop up and when it does, I’LL be the first one to act on it, I need to sort this out before more of this occurs
(slams cup down and walks out)
(slams cup down and walks out)
(looks behind to Hassan)
Kyle
You coming?
You coming?
(Scene ends screen fades to black)
SCENE TWO OPENS
Hassan and Kyle in an office reviewing everything they’ve found out so far
Hassan: Out of all the killings so far don’t you think this one just (pauses) stands out more than the others
Kyle: To target somebody so close to me...they clearly have an ulterior motive...an agenda against me this city is cursed
Hassan: You know what I’ve been thinking, what if it’s more than one person, a group maybe, no way a singl-
Kyle: It’s all being orchestrated by one person with a bunch of lackeys and I already have my suspicions
(Phone starts ringing, unknown caller)
(Kyle signals Hassan to be quiet)
Kyle: Who is this and how do you have my number
(camera shows man in dark lighting on the other side of the call)
Kyle: Who is this and how do you have my number
(camera shows man in dark lighting on the other side of the call)
Unknown caller: You just couldn’t stay away from this life of crime eh, always trying to save everyone, well in case you haven’t noticed WE run this city and anybody who gets in our way WILL get dealt with, especially you Isaiah...
(call ends)
Hassan: What the hell was that all about, it's like he knew what we were just talking about
Hassan: What the hell was that all about, it's like he knew what we were just talking about
Kyle: Get up now we need to go now, I’ve traced their location, we can’t miss this opportunity.
(They both move hastily)
SCENE ENDS
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